I have already talked a little bit about The Art of Denis McLoughlin which is a lovely book to behold and was for all involved a real joy to work on, but there is an ongoing publishing project in the shape of illustrators which is something so exciting that we will be sharing little snippets of information as we continue with what is shaping up to be a really rewarding enterprise.
illustrators is in many ways more of a book than a journal, each copy is 96 pages of beautiful artwork by the greatest European and UK illustrators accompanied by well researched and lively text. Our overall remit with each feature is that the writing should connect the reader with the artist and the world that he/she inhabited so that by the end of the piece the reader will gain a far greater insight into the work they are looking at.
Our associate editor Bryn Havord, who in addition to teaching yours truly the finer points concerning midge's dicks, widows and orphans and running turns has the most impressive CV imaginable for a project of the magnitude of illustrators. Bryn was working as a leading Fleet Street art editor throughout the 60s. It was Bryn who gave Renato Fratini his first commission for Woman's Mirror, who was regularly commissioning artists such as Michael Johnson, Walter Wyles and Brian Sanders. Bryn's passion for illustration is second to none and his passion is backed up by years of experience as well as a deep insight and knowledge of many of the most influential of European illustrators, whose work you will be seeing in greater detail over the coming months and years.
So that's our core team, but in addition we will be featuring an expanding cast of writers including crime fiction writer and Hardboiled editor; Gary Lovisi, children's illustration enthusiast; Norman Wright, Pan Horror chronicler; Johnny Mains, writer and broadcaster Brian Sibley, writer and blogger Jeremy Briggs, Luci Gosling from The Mary Evans Picture Library, Frank Bellamy devotee Norman Boyd and many more writers who we are currently talking to.
As will be apparent from our first issue we are keen to source as much work as feasible from original artwork and where that is not possible, printer's proofs or high grade printed sources, so that there is we can get the reader as close to experiencing the full import of an artist's work as is possible.
I'll be talking a little more about some of our forthcoming issues shortly but in the meantime here's some images of illustrators number one just as an appetizer.